Things I didn’t dare to say, and it’s too late now

December 01, 2023 December 03, 2023
Lithuanian National Drama Theatre
N-16, Lithuanian, Japanese, English, Lithuanian Sign Language with English surtitles | Running time 1.30 hrs.
Things I didn’t dare to say, and it’s too late now


Director and Dramaturge
Kamilė Gudmonaitė
Dominykas Digimas
Set Designer and Author of Video Projection Concept
Barbora Šulniūtė
Mantas Stabačinskas
Costume designer
Juozas Valenta
Lighting designer
Julius Kuršys
Video Designer
Jurgis Lietunovas
Music Director and Conductor
Ričardas Šumila
Povilas Butkus
Director’s Assistants
Agnė Ambrozaitytė, Kotryna Siaurusaitytė, Deivydas Valenta


Boy Naglis — Teodoras LIPČIUS (descant)
Brother — Ryo ISHIMOTO
Sisters — Emilija KAROSAITĖ, Viktorija ZOBIELAITĖ (dancers)
Mother — Vitalija MOCKEVIČIŪTĖ
Grandfather — Vytautas RUMŠAS
Passengers — Diana ANEVIČIŪTĖ, Jolanta DAPKŪNAITĖ, Arūnas VOZBUTAS
Passengers and other characters — LNOBT choir singers: Gintarė RADAUSKAITĖ, Olga RADZEVIČIENĖ, Lina ŠARKIENĖ (sopranos), Monika BUOŽYTĖ, Jovita DOVSEVIČIŪTĖ, Evelina GREICIŪNAITĖ, Julija SMOLIČ, Anna TROŠINA (altos), Egidijus JONAITIS, Mantas IVANAUSKAS, Kęstutis PAPARTIS, Georgij POPOV (tenors), Dainius JAKŠTAS, Žygimantas JASIŪNAS, Donatas ŽUKAUSKAS (baritones), Povilas BUTKUS, Šarūnas ČEPULIS, Martynas KINDURYS (basses)

In 2010, Itaru Sasaki from Otsuchi, Japan, learned that his beloved cousin had cancer and only had three months to live. After his cousin’s death, Sasaki built an old telephone booth in his backyard so that he could communicate with the deceased every day and have his words carried away by the wind.

In 2011, a tsunami struck the Otsuchi area, killing ten percent of the city’s population. Gradually, people became aware of the telephone booth and started visiting Itaru Sasaki’s garden to call their lost loved ones.

From 1 March 2022, just one week after Russia started the war in Ukraine, an old telephone booth, identical to the wind phone that stood in Japan, was installed next to the Lithuanian National Opera and Ballet Theatre. People were invited to come and ‘call’ those to whom they didn’t have the chance to say what they wanted in time, and now it was too late. In over six months, the phone has been picked up about 4000 times. The audio recordings of all the authentic stories became the basis for the opera’s libretto.

The telephone booth opera Things I Didn’t Dare to Say, and It’s Too Late Now is a sensitive, subtle, bright and hopeful story about a grieving person. At the same time, it is a clear cut through the geographical territories opened up by grief, a journey towards encounter, reconciliation and the experience of the world as a whole.

Creators about the performance:

The telephone booth opera is a poem to human transience. The stage is filled with subtle, human and sometimes witty images from the present and beyond: bodies and objects emerge and fade in the interplay of light and dark. Everything passes – people, time, places, objects, events.

Kamilė Gudmonaitė, Director and Dramaturge

My relationship with the work, or rather, with the recordings of the ‘calls’ made by strangers in the telephone booth, was constantly changing. With every phase of the lengthy creative process, I found a new perspective on what each person had said. Initially, it was as if I was an outsider listening to these deeply personal stories; now, I reimagine them by placing myself in the shoes of the callers or their recipients. This opera presented a significant challenge: how to convey the inner soundscape within each of us, how to translate the often delicate and subtle content of the calls – the sacred essence – onto the theatrical stage? Music and sound become an invisible conduit, a spreading energy, bearing witness to what we never dared to express and now find ourselves too late to voice.

Dominykas Digimas, Composer

The scenography of this piece embodies an intermediary realm, resembling a mirror to the inner world – an encounter that evokes a connection to the beyond. The action takes place in a transitional space that highlights liminal conditions, where everyday life converges with the transient and the uncertain. The visual atmosphere of the work pays homage to life and death, intimacy and yearning.

Barbora Šulniūtė, Set Designer and Author of Video Projection Concept


Partner Technarium
Sponsors: Ministry of Culture of the Republic of Lithuania, Lithuanian Council for Culture, Vilnius City Municipality

The work’s development commenced in 2021 within the framework of a collaborative project Opera Genome, a joint effort between LNOBT and Operomanija.


Lithuanian National Drama Theatre
Lithuanian National Drama Theatre
Lithuanian National Drama Theatre
Lithuanian National Drama Theatre