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CORNET

Januray 29, 2020 Januray 30, 2020
LNOBT Main Stage
An opera in 2 acts, sung in Lithuanian, German, French and Italian. Running time: 2.30 hrs.
CORNET

CREATIVE TEAM

COMPOSER AND LIBRETTIST
Onutė Narbutaitė
MUSIC DIRECTOR AND CONDUCTOR
Robertas Šervenikas
CONDUCTOR
Julius Geniušas
DIRECTOR
Gintaras Varnas
SET DESIGNER
Medilė Šiaulytytė
COSTUME AND MAKE-UP DESIGNER
Juozas Statkevičius
LIGHTING DESIGNER
Levas Kleinas
VIDEO DESIGNER
Rimas Sakalauskas
CHOREOGRAPHER
Elita Bukovska
CHORUS MASTER
Česlovas Radžiūnas

This opera is a free improvisation on the subject of Rainer Maria Rilke’s "Die Weise von Liebe und Tod des Cornets Christoph Rilke" (eng. "The Lay of the Love and Death of Cornet Christopher Rilke"). In the chronicles of the 17th century there exists a message about a young man Rilke von Langenau who served as a cornet in the imperial Austrian Heistersch regiment of baron von Pirovan and didn’t return from the war with Turks; this little fragment turned into a source of inspiration to one of the greatest European poets, who in the junction of the 19-20th century transformed Rilke von Langenau’s story, in his own words, into a poetic “flight in one breath”. Now, in the 21st century, this opera-improvisation is speaking of the universality of that story, as if trying to state that human yearning – for love or transcendence – always remains the same, no matter the circumstances.  

In the libretto one can find fragments from Rilke’s works of literature and letters, there are also bits from "Die Weise von Liebe und Tod des Cornets Christoph Rilke" (Lithuanian translation by Henrikas Nagys, done in 1943). This reading of the Cornet’s story is further embellished by quotes takes from the writings of other authors, such as Homer, Johann Wolfgang Goethe, Charles Baudelaire, Oscar Milosz, Georg Trakl, Paul Celan, Jacques Prévert and Oskar Kokoschka, to whom Rilke’s publisher wanted to commission illustrations for Cornet. Through such use of quotes new subtexts and associations are born, introducing associative documentary aspects that accompany the literary prototype, and Cornet Christoph Rilke, wandering on the roads of war and tormented by painful yearning, turns into a generalized image of a Poet that connects all lands and times. 

R. M. Rilke’s poetic storyline is reflected in the opera, however, it serves more as a pretext, starting point and inspiration to a personal vision.


Onutė Narbutaitė

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